Amish Tribute

Title: Amish Tribute
Finished 8/21/11
Techniques: Amish design, Rail Fence, Solid fabrics, Machine Stitches
Size: 15" x15"

Description:
This is #4 from my 2011 attempt at a mini-quilt per week. I had seen a program, I believe, on "Sewing with Nancy" where they were discussing typical Amish style and design. I decided to give it a try.

In my research, I learned that Amish quilts have evolved over the years. This mini-quilt represents somewhere in the early/middle of their evolution when Amish quilts employed simple geometric shapes only in solid colors, and usually on black background. I tend to prefer dark backgrounds myself because the colors that are used in the design tend to "pop," as is the case here.

I also learned that the Amish women, never wasteful, weren't too worried that their colors didn't match exactly. If they had two or more shades of green, that's what they had and that's what they used. So you will notice that in each of the four central colors, blue, green, purple, and pink, there are subtle color variations. The simple "rail fence" (or split rail fence) design uses only two rails - black and the color - positioned so that there's a stair step, or zigzag, design. I've seen rail fences with three or four or even five rails, but two seemed appropriate here.

I also learned that the inner border, red in my case, is usually of a different color than any of the other colors in the quilt. I couldn't find out why, so I may have to check out a real book on the subject and read up on it.

The corner squares mimic the four main colors used in the mini-quilt.

Where I deviated from the traditional is that I did this on the machine and not by hand. Also, I employed some machine stitches for a little flavor.

Oceans Blue

Title: Oceans Blue
Finished: 8/14/11
Techniques: Curved piecing, couching, ribbon, buttons, yarn, machine stitches, free motion stitches.
Size: 12 1/2" x 20"

I've started my spring cleaning process, and have come across other mini-quilts that I've done in the past. And since I haven't completed a mini-quilt in a while, I thought I would start to showcase some of my earlier works.

A few of you already know that my 2012 mini-quilt project was not my first attempt at creating a mini-quilt per week. Late in 2011, I had started such a project but before I could finish my 6th in the series, I became quite ill and had to abandon the project. I didn't have the Blog then either. This is #3 of that first series.

I started out by piecing curves, which came out quite well. Then for some reason I don't remember, I decided to cover up those seams with ribbon, yarn or stitches. Only a couple of the seams are truly visible.

The layers of the blue fabrics and the embellishments have significance too. The stars at the top to represent the sky, the flowered batik for things floating on the water, the free motion circles for bubbles, the eyelash yarn for plant life, the curves and ribbons for the ocean currents, and the buttons for stuff on the ocean floor.

Overall a peaceful, calming mini-quilt.

Exhibit at Ruth Holley branch

I am please to announce that, during March, I have another exhibit in the public library. This time it's at the Ruth Holley branch, located at 685 North Murray Blvd. just south of Galley. I have 15 mini-quilts on display in their big meeting room.

Here's a list of the ones on display this time:

#2 Bargello Brights
#5 Hatari!
#6 Extreme Sudoku
#8 Doodling with Thread
#11 Butterflies in the Garden
#14 Nebula
#15 Spring Has Sprung
#19 Translucence
#23 Origami
#24 Transit of Venus
#32 Double Helix
#33 Milky Way
#36 Prism of 100 Squares
#38 Prairie Point Landscape
#44 Stained Glass Iris

Starting on feathers

Just a short update. I've started piecing the feathers on the left side of the quilt. The consistency of the eyes pulls it all together. Since I've chosen the upper right corner as the light source, these feathers on the left side have darker green prints. As I move around to the other side, the greens will become lighter. I'm hoping that once they're all done, it will make a nice effect.

Starting on Feathers

Now that the body of the peacock is done, I needed to decide how I wanted to do the feathers. This has not been an easy decision. I did some mock-ups of some different styles to see what I liked.

I have decided on the coloring and fabric to use on the "eyes" of the feathers. I'm using a "peacock" blue, a deep purple, and an orange. The fabrics are mottled and they read as solid. These colors are very close to the actual colors in real peacock feathers. Also in real feathers, the eye is surrounded by a denser green, which I'm representing with striped lime green fabric. The remainder of the feathers are a variety of other green fabrics.

The tan fabric represents the stalks of the feathers, which are prominent in the original picture. The stalks break up the cacophony of greens and adds visual interest.

The first mock-up was the feather with the pointed "eyes" and although I liked it, I wasn't sure it would look right with the straight line construction juxtaposed with the curved lines of the peacock body.










 







The second mock-up had rounded eyes and less of the striped lime green. The rounded eyes look a bit more natural and I thought I liked it better.

I then got a little worried that all the different greens would look too busy and crazy. So I made a third mock-up using one color of green per feather. Each feather would have a different color of green because if all the feathers were made from the same green, it would be boring. Yet, I don't want the feathers to look like stripes, which I fear they might unless I chose colors that really blended well from one to the other.













So, I was really leaning toward rounded eyes with one color per feather. I had put all the mock-ups on the design wall and left the room to do some chores. When I returned, I looked at it again and totally changed my mind. I now prefer the pointed eyes and multi-greens. The pointed eyes show much more of the peacock blue color, and the stylized eyes do not detract from the body of the peacock. In fact when all is said and done, it may actually enhance it. We're going to find out!

Peacock body

***See the previous post for beginning of this new project.***

I actually finished this peacock body this past weekend, but because I posted last week's entry late, I waited a day before posting this today.

This is the peacock body for my new wall hanging. I drew out the design and used Ruth McDowell's freezer paper method for piecing. I bought the blue and purple fabric (the first fabric I've bought in a while!) and fussy cut the head and body pieces. The lime green fabric is something I had in my stash.

I made a few changes from the picture I took at the zoo. In looking at the enlarged picture, I felt the body needed to be bigger. When I reviewed pictures of peacocks on the web, it seemed that they normally have longer necks than the little fellow in my picture, so I went ahead and made him a little larger so he would stand out. Also, I took some creative license with the lime green portion. It's not usually as large as I made it, but I wanted the head to show off well. I figured if the head sat in the middle of feathers, it might get a little lost, but set against the lime green it does well.

One nice thing about Ruth McDowell's method is that you can press the seams any way you want. I chose to press them toward the body so it is slightly raised from the background. I like that effect. However, in order to keep them turned in the right direction, I (for now) basted them into place. Once the quilt is done, I'll remove the basting stitches. So don't worry - the peacock won't always look like he's sipping something through a straw.

Also, in the quilting phase, I'll connect the crest to the head using stitches.

One big mistake I made while sewing the head. When I clipped the curves, I slipped and cut too far into the beak. I couldn't fix it, so I had to redo the entire head. I'll have to be more careful!

New Project

No, this isn't a new quilt, but I hope it soon will be. This is a picture of a peacock I took at the Cheyenne Mountain Zoo last summer. I was resting on a bench when this peacock came and put on a show for me! He strutted around for several minutes and I was even able to capture a short video of him.

I love the vibrant purple blues and lime greens, and I think this would make a wonderful quilt. If I can figure out how to construct it and if I finish it in time, I may try to submit it to the Denver National Quilt Show in May. Perhaps my practice with creating a mini-quilt in a week will help me here.

In the coming weeks, I'll be posting updates on my progress and explaining my process along the way.

My first step was to crop the picture to the size I wanted. It's shown above. The body of the peacock is at one of the focal points. (In a photography class, we learned to compose a picture by dividing it into thirds vertically and horizontally. The four resulting intersections are focal points, where the main subject should reside.)

My next step was to blow up the photo to the actual size of the quilt, which in my case is roughly 36x60". Microsoft Publisher allows one to create a poster and will print off an image onto as many 8-1/2x11" pages as needed. Here's my black and white version, now taped together on my wall. I've already started to mark it up a bit with cutting lines and notes for what I want to pay attention to.

I'll be starting with the peacock body for two reasons:
1) I think the head will be the most intricate and difficult part to piece because of some tiny pieces, and
2) all the feathers, and therefore the design, radiate out from the body.

I hope you will follow my progress. Wish me luck!

Rebecca